![]() Animation is a collaborative effort, and this audio genius’s presence shows us that the wonders of anime aren’t just in the art.Įizouken‘s Midori Asakusa is an artistic and world-building prodigy. We see how a change in sound can completely change the tone of a scene, even if it’s something as tiny as a footstep or the sound of waves. There are some fantastic scenes late in the series devoted to Doumeki’s search for sound effects. It’s not just because of her massive audio library, either: her sound mixing know-how brings their animation to a whole new level. And while her friends in the Eizouken appreciate her talent, people who remember these moments can see their influences directly.Īudiophile Doumeki Parker may seem like an obstacle to the Eizouken at first, but she ends up being an essential member of the group. All those things from her life went on to influence how she put pictures into motion. We see moments of motion that stuck in her brain: helping her grandmother walk, throwing water from a ladle, and dance lessons. But a flashback to Tsubame’s childhood drives this home. Most of us know this if we’ve watched animated shows enough. ![]() ![]() And, as Eizouken reminded us via the character of Tsubame Mizusaki, that’s because animation is its own style of acting. Watch enough anime, and you’ll recognize when one of your faves was in charge of a scene. You don’t have to be part of the sakuga crowd to know that every key animator has their own style and flair. Some of it’s about the craft of anime itself, and some is making us take a good, long look at ourselves. Here are just a few things we’ve picked up from the series. Whether you’re a fan, indie creator, or full-on pro, this show has touched hearts and minds in an uncommon way. With more eyes on the inspiring series, we’re welcoming the opportunity to look back at Sumito Ōwara’s work once again. The anime and manga community have known about the wonders of Keep Your Hands off Eizouken! for quite a while now.
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